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Kim Ran Debuts Solo Exhibition “Throw Back” Showcasing Threadlike Paintings

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  • Kim Ran's painting of Jeonju is seen in this photo provided by Rho Gallery on Feb. 20, 2026. (PHOTO NOT FOR SALE) (Yonhap)
    Kim Ran's painting of Jeonju is seen in this photo provided by Rho Gallery on Feb. 20, 2026. (PHOTO NOT FOR SALE) (Yonhap)
    Image: Yonhap
    Kim Ran's painting of Jeonju is seen in this photo provided by Rho Gallery on Feb. 20, 2026. (PHOTO NOT FOR SALE) (Yonhap) Source Full size
  • Kim Ran's painting of Deoksu Palace is seen in this photo provided by Rho Gallery on Feb. 20, 2026. (PHOTO NOT FOR SALE) (Yonhap)
    Kim Ran's painting of Deoksu Palace is seen in this photo provided by Rho Gallery on Feb. 20, 2026. (PHOTO NOT FOR SALE) (Yonhap)
    Image: Yonhap
    Kim Ran's painting of Deoksu Palace is seen in this photo provided by Rho Gallery on Feb. 20, 2026. (PHOTO NOT FOR SALE) (Yonhap) Source Full size
  • South Korean artist Kim Ran poses for photos at Rho Gallery in Insa-dong, Seoul, on Feb. 20, 2026. (Yonhap)
    South Korean artist Kim Ran poses for photos at Rho Gallery in Insa-dong, Seoul, on Feb. 20, 2026. (Yonhap)
    Image: Yonhap
    South Korean artist Kim Ran poses for photos at Rho Gallery in Insa-dong, Seoul, on Feb. 20, 2026. (Yonhap) Source Full size
  • The details of a painting by Kim Ran are shown in this photo taken at Rho Gallery in Seoul on Feb. 20, 2026. (Yonhap)
    The details of a painting by Kim Ran are shown in this photo taken at Rho Gallery in Seoul on Feb. 20, 2026. (Yonhap)
    Image: Yonhap
    The details of a painting by Kim Ran are shown in this photo taken at Rho Gallery in Seoul on Feb. 20, 2026. (Yonhap) Source Full size

Kim Ran launches first solo show “Throw Back” at Rho Gallery – The exhibition opened Feb. 20, 2026 in Insa‑dong, Seoul, featuring her signature layered, threadlike paintings of Korean hanok neighborhoods and international landmarks, and will run through March 5 [1].

Paintings use needle‑sized lines to evoke time and memory – Kim applies paint through a tiny opening, creating interlaced lines that she describes as chains linking past, present and possible futures, a process she finds meditative and energizing, working up to 12 hours daily [1].

Works draw inspiration from traditional Korean houses – The curved rooflines of hanok serve as visual motifs; her pieces depict Jeonju, Andong and Seoul hanok districts, translating architectural contours into threadlike forms that suggest invisible connections between people [1].

International sites appear alongside Korean subjects – The show also includes depictions of the Empire State Building, the London Eye and Prague’s Vltava River, extending her exploration of layered memory beyond domestic architecture [1].

Artist reflects on decade‑long artistic development – A 2016 Daegu Arts University graduate, Kim settled on her current style in 2019; she notes gradual shifts in line thickness and density across the exhibition, emphasizing depth over immediate visual clarity [1].

Kim seeks emotional resonance from viewers – She says the greatest reward is when audiences linger before her paintings, hoping the layered world she creates leaves a deep, lasting emotional impact [1].

  • Kim Ran – “My paintings are composed of countless threadlike lines layered one upon another. I think they are like chains that stretch from the past to the present, and even to a future that may never arrive.” (explaining the symbolism of her technique)
  • Kim Ran – “I like time to myself. I get energy from working alone.” (describing her solitary work habit)
  • Kim Ran – “There is nothing that makes me happier than when viewers stand before my paintings for a long time.” (expressing her goal for audience engagement)

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